Friday, 17 February 2017

Q & A with Pete Mountford

Pete Mountford is an artist who has been practising for over 20 years. He has exhibited in both the UK and USA.
His work encompasses painting, drawing, digital imagery and other mixed media. Often underpinning this work is the appropriation of and relationship to existing systems; in the past this has including energy waves, the cycles of nature, maps and landscape. Rebel magazine came across Pete via Facebook and wanted to find out more about his "Seven into Six" exhibition currently on at The Well-being Art Centre 18 Western Road, Hove BN3 1AE until the 24th of April.
Q: The roots of your "7 into 6" show go back a decade. Can you tell me how it all started? "The title "7 into 6" is for this particular show, and it was a chance to reconfigure the works in a different way by laying them in rows of colours, which gives off the mass colour hit that the ethos of the Well being gallery and health centre are about. When the works were made and exhibited originally between 2002-2005 they were grouped in sets of six with 5 of one base colour and a white panel. My mantra in those days (and something that still creeps in to my work occasionally now) is underpinning my work with 'system and chance'. In this case I played with associating colours to particular numbers to create a system and used a kids spin machine- using the same colours - to create the bottom half and give me a kind of controlled chance. The bottles are actually appropriated from Aura Soma colour therapy bottles, which my wife was starting to study and practice in at the time, and each had a specific number, a pair of colours and a set of philosophies to be interpreted from them, plus from my perspective they looked simply gorgeous and seeing them on mass was almost like crossing the repetition of Warhol with the spirituality of Rothko. There's a lot more to it then that, but my interest was not really about the meaning behind these bottles as such (although I don't mind if the viewer chooses to approach them this way) but more working with the existing system, combining it with another one, and seeing where that took me. However it is nice to see them again displayed this way." Q: The venue for your "7 into 6" show is the Health & Well Being Centre in Brighton - are they nice people to do business with? Is it a gallery space that you'd recommend? "The Well being Gallery is part of the doctors practice and its a place I've been a registered patient for the past 2 years since we moved to Hove. I noticed they displayed interesting art in the waiting room, made enquiries and hooked up with Jude Hart who curates the space and is a professional artist in this area (and a damn fine one in my opinion), who curates the space ( as well as co-ordinates one of the trails for the open house festival in May). The practice is renowned through Brighton & Hove as being very open towards holistic approaches and the Gallery's main driving objective within that is to "communicate to patients through the arts that self reflection and understanding personal narrative are at the heart of well being and good health" which is a pretty fine thing in my book. So its of course a gallery I would recommend, obviously work exhibited has to fit this broad ethos and normally there is an interactive project that goes on for the patients and other visitors to participate in. In this instance we have created templates of perfume bottles to be coloured in based upon a persons particular feelings on any given day."
Q: What are you working on next and what are your dreams for 2017? "These have been borne out of photographs that I have taken all over the city from different places and subsequently have developed as collage/drawings/paintings that are based upon particular recognisable views but then equally distort, disrupt and adapt that view with the intention of playing with the perception of the viewer as to what is or isn't familiar. Within this there are two sub-series's ; The 'Sea Glimpses' which I also like to think of as slipping glimpses; showing the sort of transient flashes available as might occur on a ride on a bus along Western Rd (the main artery that connects Brighton to Hove). 'Not beside the seaside' is a growing group of works that find ways to portray Brighton in an equally quirky kind of approach in reaction to a lot of the ‘tourist art’ one sees around the city. In this case the amazing street patterns, hills and other vistas that are equally as iconic.I'm looking to start showing this body of work locally (and hopefully beyond) over the next year, and plan to display some of this at the Open House I am hosting for the first time this May as part of the Brighton festival. our venue will feature a variety of artists from Brighton, Sussex and guests from London. The other project for 2017 should happen in the last third of the year, I'm creating a series of works around on top of maps and related imagery of travel in a show provisionally called "Land, Sea and Air" and a new Art space in Bradford in Yorkshire in the tunnels at the new Sunbridge Wells development in the city centre." For more info on Pete visit: http://www.colourmount02.com/

Monday, 6 February 2017

David Hockney at Tate Britain / Q & A with Martin Gayford

Last night I was lucky to get to see the new David Hockney show at Tate Britain. The exhibition is a survey of almost 60 years of Britain's most popular artist. I thought it was brilliant. I've always been a fan of the work he made in the 1960s when he was a student at the Royal College of Art. It was also good to revisit all his iconic swimming pool paintings, The double portraits and the collages of Polaroids still delight. There were of course dozens of great works I'd never seen before including two vibrant paintings of his garden in LA made in much more recent times. As you'd expect the Tate catalogue of the exhibition is well worth getting. Younger Hockney fans will love Rose Blake's "Meet The Artist" and a few rich people will rush out and buy the limited edition Taschen SUMO sized monograph.
However, of all the books on Hockney available I personally get the most out of reading Hockney's conversations with Martin Gayford. "Sparky, illuminating and entertaining – a decade’s worth of conversations between David Hockney and art critic Martin Gayford that explore via anecdote, reflection, passion and humour the very nature of creativity."
A few years back I swapped some emails with Mr Gayford about working with Hockney. Hope you enjoy the following funsize interview.
Me: Have you always been an admirer of Hockney's work, has there ever been a time when you couldn't connect with his art or get enthusiastic about his passions? Martin: "I suppose I experienced a slow process of getting to know his work and ideas better as I got to know him, starting in the early 1990s" Me: "How much control did he give you over the book? Did he insist on many changes and cuts?" Martin: "In a way, he gave total control. Naturally, I sent it to him when I'd finished. He said "I'll read it very carefully". At that point he could have asked to change this or that, but in the event he was happy with everything." Me: Have you ever had a heated conversation with him? If you thought his arguments on, (for example) smoking were full of holes would you confront him? Martin: "We've never had a sharp disagreement, though he thinks I'm a bit eccentric I think in certain respects - travelling by train, not smoking. We tend to agree, at least about art and we're both a bit bohemian and libertarian." Me: Hockney has very strong links to great artists of the past such as Picasso. Various critics often say they feel that men of the moment such as Grayson Perry or Jeremy Deller aren't really artists. Would you agree that Hockney is the real deal whereas most Turner Prize winners will be forgotten about in a few years? Martin: "I think Hockney (and Lucian Freud, Frank Auerbach, Leon Kossoff and several other contemporary artists) are definitely the real deal. I find it hard generalise about Turner Prize winners. Several of them -Antony Gormley, for example, and Chris Ofili - I have a lot of time for, others much less." Me: "Of all your conversations with Hockney over the years which exchange, claim or observation took you by surprise?" Martin: "Hmm, perhaps when he told me about reading Proust for the first time, and having to look up asparagus. He'd never heard of it, they didn't have it in Bradford."
I can't claim to have had a chat with Hockney but when I bumped into him at the main entrance he was kind enough to write a good luck message to my friend Francis Macdonald (see above.) I told Hockney that Francis had composed a piece of music about him on his previous album and that he had a new album coming out very soon. Hockney said almost nothing but he seemed very happy to oblige and smiled a lot. The Hockney show runs at Tate Britain (near Pimlico tube) from 9th Feb to the 29th May. Martin's book "A Bigger Message" is published by Thames & Hudson. "Triet for David Hockney" appears on "Music For String Quartet, Piano And Celeste" More info - www.francismacdonald.com

Wednesday, 1 February 2017

"Isle of Capri" by Francis Macdonald & Harry Pye (taken from their debut album "Bonjour")

"Isle Of Capri" is a song from "Bonjour" - a new album by Francis Macdonald and Harry Pye. Francis Macdonald is a musician, producer and composer. (www.francismacdonald.com) Harry Pye is an artist, writer and director of The Mainstream Gallery. (www.harrypye.com) The album "Bonjour" will be released in Japan/Asia via Hostess - www.hostess.co.jp The album will then be released in the rest of the world by Shoeshine records. To whet your appetite, go on You Tube and search for "Francis Macdonald and Harry Pye Isle of Capri."
Both photos of Francis & Harry were taken by Gordon Beswick. The album sleeve was designed by Tom Scott.

Wednesday, 25 January 2017

Coming up at The Mainstream Gallery, Ramsgate

The Mainstream Gallery opened it's doors in Autumn last year with the fabulous "Nine Lives" exhibition. Currently the gallery is closed for refurbishment, when it reopens in the Spring, the first show will be "Dead Famous" which features covers from the magazine collection of Nathan Pendlington.
(Above: Nathan with a tiny selection of his enormous collection of covers that celebrate dead celebrities.) Then, on the 20th June until the 21st Sept there will be a group show called "By The Sea."
(Above: Mikey Georgeson's painting "Worthing Statue."
(Above: "Ship" by Dominic Kennedy)
(Above: At The Harbour by Charlie Day) The Mainstream Gallery's first photography show: "You Know More Thank I Know" will run from the 22nd Sept till the 20th Dec)
(Above: "David Ike" by Chloe Mortimer)
(Above: Photo by Jasper Joffe)
(Above: photo by Jackie Hallows.) (Below: photo by Andrew Petrie)
In the Wintertime Mainstream Gallery goers will be treated to an exhibition of paintings by Gordon Beswick such as Magic Mountain.
"Go with the Mainstream!"

Saturday, 17 December 2016

Best compilation CD of the year: "One Heart" (A Specialized Tribute to Bob Marley & The Wailers)

The January edition of Record Collector features a great review by Shane Baldwin of "One Heart" the fascinating 4 CD tribute to Bob Marley & The Wailers...
"This terrific series, in aid of Teenage Cancer Trust and The National Foundation For Youth Music has produced various artist tribute albums to The Specials, The Beat, Madness and The Clash – first-rate compilations with a dazzling array of artists contributing new tracks to the project. Spread over a mammoth four discs, this tribute to Bob Marley & The Wailers, contains many tracks that stick satisfactorily to the blueprint laid down by the originals, like The Skatalites ft. Doreen Shaffer’s Nice Time, One Love Orchestra’s take on Jamming, Steel City Rhythm’s Could You Be Loved and Annabella Lwin’s Cheer Up.
King Hammond’s Kinky Reggae is suitably slinky, while Black Symbol’s strident Get Up Stand Up is an effectively modern version, as is Rude Boy George’s souped-up, nippy, Iron Lion Zion. The Spammed boast an improbable line-up of Neil Innes, Horace Panter, Micko Westmoreland, Rat Scabies and Kevin Eldon, who delivers a heartfelt vocal on I Shot The Sherriff.
The Funadicts’ Lively Up Yourself is delightfully bright ‘n’ breezy, and The Uplifters deliver a bouncy, infectious Pour Down Your Sunshine. And we close, surprisingly, with Pelenna Valley Male Voice Choir’s lusty, rousing, Three Little Birds. Fabulous!" ****
Visit http://www.specializedproject.co.uk/ for details of how to buy. For just £15.99 (plus £2.72 UK postage) you'll receive over 60 tracks from over 70 artists.
Spammed fans should click on this link to see the promo for I Shot The Sherriff: https://www.youtube.com/watch?v=1wwP4aQm_ds
In 2017 The Spammed will appear on the next Specialized compilation which is a tribute to Paul, Rick and Bruce a.k.a The Jam.

Wednesday, 30 November 2016

Last day of Nine Lives exhibition at The Mainstream Gallery

Thanks to everyone who made it down to The Mainstream Gallery in Ramsgate to see the Nine Lives exhibition. The show featured work by nine great artists; Barney Bubbles, Mel Cole, Russell Herron, Phil King, Cathy Lomax, Erica Macarthur, David Shrigley, Julian Wakeling, and Roeland Zijlstra. More photos to follow soon.
Work in the photo above by Russell Herron
Work above by Phil King ("Owl")
Above work by Phil King ("Radio 2")
Above work by Phil King ("London")
Above work by Barney Bubbles ("Do It Yourself")
Above work by Roeland Zijlstra
Above work by Barney Bubbles (book by Paul Gorman)
Above work by David Shrigley and Erica Macarthur
Above work by Roeland Zijlstra and Mel Cole
Above work by Julian Wakeling (held up by the artist)
Buffy Cook
Eva Tait marvels at work by Barney Bubbles
Arthur helps hang Shrigley
Erica with her work

Thursday, 17 November 2016

Chris Packham painted by Team Beswick and Pye

Above: "A Starry Night in Southampton with Chris Packham" is a new painting by Team Beswick and Pye that's approximately 225cm wide and 100cm high Gordon Beswick and Harry Pye are delighted to be working with Jonathan Kelham and UGO who give artists the opportunity to utilise underused billboards in Southampton. Currently on show "Free For All Forever" by Mark Gubbin
Gordon and Harry get to have their image featured on a billboard between the 5th December and 12th December.
(Above photo of Harry & Gordon in the studio by Julian Wakeling) Chris Packham was born in Southampton and educated at Taunton's College. He studied Zoology at the University of Southampton and later became a presenter on the Bafta award winning Children's program The Really Wild Show.Since 2009 he's co-presented Springwatch. Recently Packham wrote his autobiography "Fingers in the Sparkle Jar"
In the book he expresses his love for Kestrels: "Every minute was magical, every single thing it did was fascinating and everything it didn't do was equally wondrous, and to be sat there, with a Kestrel, a real live Kestrel, my own real live Kestrel on my wrist! I felt like I'd climbed through a hole in heaven's fence." Chris is also known to adore his two pet poodles, Itchy and Scratchy. The painting by Team Beswick & Pye features Chris with his dogs by his feet and a Kestrel on his wrist. The other creatures that put in an appearance include a spider, a Grey wagtail, an Alpine Chough, A Jackdaw, an unlucky worm, a blue tit, a Robin, 2 moths, several badgers, a red squirrel, a mallard duck, a field mouse, a hedgehog, a bumble bee, a couple of deers, an eagle owl and a whooper swan and a fantastic fox. The location of the billboard is:70 Bevois Valley,Road,(A335) SO14 0JT.